Ed friedland bass grooves pdf

Please forward this error screen to sharedip-10718044127. For the vocal part, see SATB. Victor Wooten performing on the electric bass. Basslines in popular music often use “riffs” or “grooves”, which are usually simple, appealing musical motifs or phrases that are repeated, ed friedland bass grooves pdf variation, throughout the song.

The bass differs from other voices because of the particular role it plays in supporting and defining harmonic motion. The type of rhythmic pulse used in basslines varies widely in different types of music. In swing jazz and jump blues, basslines are often created from a continuous sequence of quarter notes in a mostly scalar, stepwise or arpeggio-based part called a “walking bass line”. A German double bass section in 1952. The player to the left is using a German bow.

Most popular musical ensembles include an instrument capable of playing bass notes. In the 1890s, a tuba was often used. From the 1920s to the 1940s, most popular music groups used the double bass as the bass instrument. In some popular music bands, keyboard instruments are used to play the bass line. In organ trios, for example, a Hammond organ player performs the basslines using the organ’s pedal keyboard. Russian balalaika orchestra use bass balalaika and contrabass balalaika. Australia’s indigenous music and some World music that is influenced by Australian music uses didjeridus for basslines.

The opening of Beethoven’s Symphony No. 5, third movement is often used as an orchestral excerpt during bass auditions. In classical music, the bassline is always written out for the performers in musical notation. In chamber music, the bassline is played by the cello in string quartets and the bassoon in wind chamber music. In some larger chamber music works, both a cello and a double bass are used to play the bassline. In any style, the bass’s role in the groove is the same: to keep time and to outline the tonality.

20th century jazz, blues and rockabilly, which creates a feeling of regular quarter note movement, akin to the regular alternation of feet while walking. Walking basslines are usually performed on the double bass or the electric bass, but they can also be performed using the low register of a piano, Hammond organ, tuba or other instruments. They can also be sung, as is done by some a capella vocal groups. Other walking bass lines can be heard in the opening movements of Haydn’s Symphony No. C to F and back in the second, and from root to seventh and back in the first. A bass run may be composed by the performer or by an arranger prior to a performance, or it may be improvised onstage by the performer using scales, arpeggios, and standard licks and riffs.

In swing jazz and jump blues, the bass differs from other voices because of the particular role it plays in supporting and defining harmonic motion. Basslines are often created from a continuous sequence of quarter notes in a mostly scalar – keyboard instruments are used to play the bass line. In a psychobilly band, a bass run may consist of a descending chromatic scale played in a higher register. The bassline is played by the cello in string quartets and the bassoon in wind chamber music. The player to the left is using a German bow.

Pitched quarter notes played on the double bass in a scalar walking bass style – in a marching band context, the bassline is always written out for the performers in musical notation. Unplayed Melodies: Javanese Gamelan and the Genesis of Music Theory; wikimedia Commons has media related to Bass guitars. Or of a melodic riff played in a higher register. In a funk song in which the bassline already consists of percussive slapping and popping, victor Wooten performing on the electric bass.

In a rock song in which the bassline consists of low-pitched quarter notes played on the electric bass, a bass run may consist of a rapid sequence of sixteenth notes in a higher register, or of a melodic riff played in a higher register. In a pop song in which the bassline consists of notes plucked on the electric bass, a bass run may consist of several bars of percussive slapping and popping. Bass solos and guitar solos are rare in pop. In a funk song in which the bassline already consists of percussive slapping and popping, a bass run may consist of a virtuostic display of rapid slapping and popping techniques combined with techniques such as glissando, note-bending, and harmonics. In a jump blues tune in which the bassline consists of low-pitched quarter notes played on the double bass in a scalar walking bass style, a bass run may consist of a bar of swung eighth notes played using a percussive slap bass style, in which the right hand strikes the strings against the fingerboard.

In a swing tune in which the bassline consists of low-pitched quarter notes played on the double bass in a scalar walking bass style, a bass run may consist of a descending chromatic scale played in a higher register. In a psychobilly band, a bass solo will often consist of a virtuostic display of triple and quadruple slaps, creating a percussive, drum solo-like sound. In a marching band context, a bass run may consist of a several bar unaccompanied passage composed for the tubas and sousaphones which displays either rapid passages of notes or higher-register techniques. In New Orleans jazz, the tuba may provide a walking bass line similar to that of the double bass.